-
, 2016
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, 2016
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, 2016
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, 2016
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, 2016
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, 2016
-
, 2016
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, 2016
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, 2016
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, 2016
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, 2016
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, 2016
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, 2016
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, 2016
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, 2016
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, 2016
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Exhibition View, 2016
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Recovering a horizon, 2016
Mixed Media.
Variable measures. -
recovering a horizon, (detail),, 2016
Mixed media.
Variable measures. -
General View, 2016
-
Installation, 2016
Various materials.
Variables measures. -
Installation, (Detail), 2016
Various materials.
Variables measures. -
Series Reconfiguration, 2016
Exhibition view.
-
Series Reconfiguration, 2016
Exhibition view.
-
Series Reconfiguration, 2016
Exhibition view.
-
Series Reconfiguration, 2016
Exhibition view.
-
Series Reconfiguration, 2016
Exhibition view.
-
Study, 2016
Cloth, lamps, metallic support.
-
En su cabeza ya no está el vallado, 2018
Tracing
21 x 30 cm
-
La pintura como norma, 2018
20 photographs
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
Agujero, 2018
Polychrome iron and steel
170 x 170 cm
-
Alterado, 2018
Paving stones and painting
158,5 x 158,5 cm
-
Valla o quitamiedos, 2018
Polychrome steel
210 x 114 cm
-
Bocado, 2018
-
Exhibition view,
-
Exhibition view,
-
Exhibition view,
-
Exhibition view,
-
Higiene I, 2018
Mixed technique
40,5 x 40,5 cm
-
Higiene II, 2018
Mixed technique
25 x 45 cm
-
Higiene III, 2018
Mixed technique
30,5 x 46,5 cm
-
Higiene IV, 2018
Mixed technique
31 x 46,5 cm
-
Higiene V, 2018
Mixed technique
21 x 32 cm
-
Higiene VI, 2018
Mixed technique
35 x 50,5 cm
-
Exhibition view, 2018
-
Exhibition view, 2018
-
Exhibition view,
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
-
La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
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La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
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La pintura como norma, 2018
Hanhemühle fine art pearl paper on Dibond
30 x 45 cm
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Exhibition view,
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Exhibition view,
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Antonio R. Montesinos. Take Care of the Collection. Detail, 2019
Installative piece composed of 18 elements in different sizes
Concrete, blue plastic mesh, gardening material and automatic irrigation system
Variable dimensions
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Antonio R. Montesinos. Take Care of the Collection. Detail, 2019
Installative piece composed of 18 elements in different sizes
Concrete, blue plastic mesh, gardening material and automatic irrigation system
Variable dimensions
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Antonio R. Montesinos. Take Care of the Collection. Detail, 2019
Installative piece composed of 18 elements in different sizes
Concrete, blue plastic mesh, gardening material and automatic irrigation system
Variable dimensions
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Antonio R. Montesinos. Take Care of the Collection. Detail, 2019
Installative pieze composed of 18 elements in different sizes
Concrete, blue plastic mesh, gardening material and automatic irrigation system
Variable dimensions
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Antonio R. Montesinos. Take Care of the Collection. Detail, 2019
Installative piece composed of 18 elements in different sizes
Concrete, blue plastic mesh, gardening material and automatic irrigation system
Variable dimensions
-
Exhibition view,
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Antonio R. Montesinos. Miles de kilómetros de cemento blanco, 2019
MDF, plaster, lime and iron supports
31 x 30 x 7 cm each
Variable dimensions
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Antonio R. Montesinos. Miles de kilómetros de cemento blanco, 2019
MDF, plaster, lime and iron supports
31 x 30 x 7 cm each
Variable dimensions
-
Antonio R. Montesinos. Miles de kilómetros de cemento blanco. Detail, 2019
MDF, plaster, lime and iron supports
31 x 30 x 7 cm each
Variable dimensions
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Antonio R. Montesinos. Miles de kilómetros de cemento blanco. Detail, 2019
MDF, plaster, lime and iron supports
31 x 30 x 7 cm each
Variable dimensions
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Antonio R. Montesinos. Miles de kilómetros de cemento blanco. Detail, 2019
MDF, plaster, lime and iron supports
31 x 30 x 7 cm each
Variable dimensions
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Antonio R. Montesinos. Miles de kilómetros de cemento blanco. Detail, 2019
MDF, plaster, lime and iron supports
31 x 30 x 7 cm each
Variable dimensions
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Mercedes Pimiento. Membrana #3 y #4, 2020
Concrete and fiberglass
100 x 86 cm
51 x 52 cm
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,
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Exhibition view,
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RLX (Mare Nostrum), 2021
MIxed media
101 x 180 x 15 cm
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RLAX (Mare Nostrum) Detail, 2021
Mixed media
101 x 180 x 15 cm
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RLX (Mare Nostrum) Detail, 2021
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RLX (Mare Nostrum), 2021
Mixed media
101 x 180 x 15 cm
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RLX (Apartamentos San Miguel), 2021
Installative sculpture
Mixed media
175 x 134 x 30 cm
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RLX (Apartamentos San Miguel) Detail, 2021
Installative sculpture
mixed media
174 x 134 x 30 cm
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RLX (Apartamentos San Miguel) Detail, 2021
Installative sculpture
Mixed media
174 x 134 x 30 cm
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Exhibition view, 2021
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Exhibition view,
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RLX (Residencia Tiempo Libre), 2021
Installative sculpture
Mixed media
120 x 158 x 90 cm
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RLX (Residencia Tiempo Libre), 2021
Sculptural installation
Mixed media
120 x 158 x 90 cm
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RLX (Residencia Tiempo Libre) Detail, 2021
Sculptural installation
Mixed media
120 x 158 x 90 cm
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RLX (Residencia Tiempo Libre) Detail, 2021
Installative sculpture
Mixed media
120 x 158 x 90 cm
-
Exhibition view, 2021
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Exhibition view,
-
Exhibition view,
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Hijos del Relax (Pez Espada 1), 2020
Digital print on Baryta Paper
49 x 34 cm
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Hijos del Relax (Pez Espada 2), 2020
Digital print on Baryta Paper
49 x 34 cm
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RLX (Pez Espada) Detail, 2021
Mixed media
68 x 500 x 15 cm
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RLX (Pez Espada), 2021
Mixed media
68 x 500 x 15 cm
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RLX (Pez Espada), 2021
Mixed media
68 x 500 x 15 cm
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RLX (Torres de Playamar), 2021
Installation
Mixed media
50 x 90 x 53 cm; 69 x 26 x 33 cm; 135 x 92 cm; 31 x 22´5cm
Variable dimensions
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RLX (Torres de Playamar.)Detail, 2021
Installation
Mixed media
50 x 90 x 53 cm
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RLX (Torres de Playamar) Detail, 2021
Installation
Mixed media
50 x 90 x 53 cm
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RLX (Torres de Playamar) Detail, 2021
Installation
Mixed media
50 x 90 x 53 cm
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RLX (Torres de Playamar) Detail, 2021
Installation
Mixed media
69 x 26 x 23 cm
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RLX (Torres de Playamar) Detail, 2021
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RLX (Torres de Playamar) Detail, 2021
Installation
MIxed media
135 x 92 cm
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RLX (Torres de Playamar) Detail, 2021
Installation
Mixed media
31 x 22´5 cm
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Exhibition view,
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RLX (Tres Carabelas), 2021
Mixed media
200 x 175 / 96 x 54 / variables
Variable dimanesions
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RLX (Tres Carabelas) Detail, 2021
Mixed media
200 x 175 cm
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RLX (Tres Carabelas) Detail, 2021
Mixed media
200 x 175 cm
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RLX (Tres Carabelas) Detail, 2021
Mixed media
96 x 54 cm
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RLX (Tres Carabelas) Detail, 2021
Mixed media
96 x 54 cm
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RLX (Tres Carabelas) Detail, 2021
Mixed media
200 x 175 cm / variable
BIOGRAPHY 
ANTONIO R. MONTESINOS
Ronda, Málaga, Spain, 1979
SOLO SHOWS (selected)
2018 En Potencia, Kiosko Fundación Guerrero, Granada. With Mercedes Pimiento
2017 #nyap. SCAN Project Room. London, UK
2016 Un ejercicio no intencional, un resultado inesperado. Galería Isabel Hurley, Málaga
2016 Estampa, Programa MAPA, Matadero, Madrid. Curated by Guillermo Espinosa. Galería Isabel Hurley
2016 La Ciudad Demudada. La Térmica.With Malaventura y Chinowski Garachana, Málaga
2016 Entropía (equilibrio, ruido, dispersión). Espacio Iniciarte, Málaga
2015 How To Make a dome. La Taller, Bilbao
2014 Inopias. Veränderung des Maßstabes. Spekulative Modelle International. Külturehauses Villa Concordia. Bamberg , Germany
2014 Plan General de Ordenación Urbana. Curated by Pedro Alarcón. Casa Sostoa, Málaga
2013 Inopias. Programa Interferencias. With Natalí Laserman. Galería Jose de la Fuente, Santander
2012 La ausencia de lo que ha pasado. Espacio F, Madrid
2012 I want to have a million friends. With Raquel Labrador. Cur. Carlota Santabárbara y Ana Revilla. The Gallery Soho, London, UK
2009: Top-down & bottom-up. Curated by Silvia Alzueta and Virginia Lázaro Villa. Unicaja Espacio Emergente, Málaga
GROUP SHOWS (selected)
2017 Sessions Polivalents – Ramdon. Hangar, Barcelona
2017 Hotel x Hotel. Curated by Guillermo Martín Bermejo.Museo Carmen Thyssen de Málaga
2017 Still Life. Curated by Pedro Alarcón. Art & Breakfast, Málaga
2017 Laboratorio del No Hacer. Curated by Christina Schultz. Blueproject Foundation, Barcelona
2017 #hashtag. Mafa Gallery, Chelsea College of Art, London, UK
2017 Venien de lluny. Curated by Milena Rossignoli, Federico García Trujillo y Miguel Marina. Piramidón Centre d’Art Contemporani, Barcelona
2016 Certamen Andaluz de Artes Plásticas. Programa Desencaja, Málaga
2016 Canícula, Curated by Pista 34. Sala Amadís, Madrid
2016 Sessions Polivalents - Montacargas. Hangar, Barcelona
2016 Ruido. Nieve. Curated by Eduardo Hurtado. Stand RTVE. ARCO, Madrid
2015 The Conversation. Curated by Lauren Wetmore. Hangar, Barcelona
2015 Scarpia 2002.2015. Catorce años de creación contemporánea en El Carpio. Hospital Real, Granada
2015 Tutoriales y manuales de auto-ayuda. Curated by Pilar Criz y Marc Roig. Getxoarte,
2015 Tutoriales y manuales de auto-ayuda. Curated by Eduardo Hurtado. Salón de Prácticas
Contemporáneas. Las Arenas (Getxo) Bilbao
2015 Internet es Site-specific. Curated by Virginia Lazaro (On-line Project:
https://instagram.com/nosotrosart/)
2015 Nexofoto. EKHO Gallery. Santiago, Chile
2015 Sesiones Polivalentes - De Profvndis. Hangar, Barcelona
2015 Talleres Oberts Poblenou. Hangar, Barcelona
2015 Un chien andalou. Curated by Fernando Gómez de la Cuesta. PalmaPhoto, Palma de Mallorca
2015 EAC XV - Encuentros Arte Contemporaneo. MUA. Museo de la Universidad de Alicante
2015 Who makes Europe. Curated by Susanne Hinrichs. Gdańsk City Gallery, Poland
2014 Puertas abiertas BilbaoArte, Bilbao
2014 Bamberger Kunst und Antiquitätenwochen. Bamberg, Germany
2014 ARTESHOP. Mercado de la Ribera, Bilbao
2014 Encontraron vida en la tierra. #UNDER35, Cur. Antonella Montinaro, Málaga
2014 Tot, tot, tot és als llibres. Curated by Roberto Vidal. Centre d’Art la Panera, Lleida
2013 Who makes Europe. Curated by Susanne Hinrichs. Städtische Galerie, Bremen, Germany
2013 XXIV Circuitos de Artes Plásticas. Cur. Alberto Sanchez Balmisa.Sala de Arte Joven, Madrid
2013 Montaña Isla Glaciar. New York Art Book Fair. MOMA PS1. New York, USA
2013 I want to have a million friends. ETOPIA. Curated by Carlota Santabárbara y Ana Revilla. CAT, Centro de Arte y Tecnología, Zaragoza
2013 Quién hace Europa. Cur.ated by Susanne Hinrichs Matadero Madrid
2013 Málagacrea. CAC, Centro de Arte Contemporáneo, Málaga
2013 Licencias. Cur. Leonor Serrano. Espacio Trapézio, Madrid
2013 Paisajismo Craneoencefálico. Curated by Daniel Silvo. Espacio Valverde, Madrid
2013 NEWS, EVENT & FRIENDS ...homenaje a Walter Hopps. Cur. Tania Pardo y Guillermo Espinosa. The New Gallery, Madrid
2013 Gabinete de curiosidades. Curated by Pilar Cubillo y Óscar García. Nº 10 Dr. Fourquet, Madrid
2013 Fin del Mundo. Curated by Roberto Vidal, JustMAD, Madrid
2013 Fin del Mundo. Curated by Óscar García. COAM, Madrid
2012 Openstudio. RAMPA y Estudio de Micocotte, Madrid)
2012 BYOB. Curated by Helena Acosta y Miyö Van Stenis. Caracas, Venezuela
2012 Libros Mutantes. La Casa Encendida, Madrid
2012 Everything Flows [PANTA REI]. Curated by Fish Tank. Galería Rina Bouwen, Madrid
2012 BYOB. Curated by Claudia Olmedo de Malasartes. Centro Cultural de España / La Casa Tomada. El Salvador
2012 Málagacrea. CAC, Centro de Arte Contemporáneo, Málaga
COLLECTIONS
- Colección SCAN Art, London
- Colección EmerGenT
- Ayuntamiento de Torremolinos, Málaga
- Colección Juan Antonio Rodríguez Deorador
- Instituto Andaluz de la Juventud, Junta de Andalucía, Sevilla
- Bilbao Arte (Bilbao)
- Colección SCARPIA (Córdoba)
- International en Külturehauses Villa Concordia. Bamberg (Germany)
- And much more private collections that don ́t want to be mentioned
EXHIBITIONS
Un ejercicio no intencional, un resultado inesperado
april 29 - june 25, 2016
Loophole
october 25 - december 07, 2018
Forma contenida
april 30 - june 25, 2021
RLX, sobre el lugar que soy
november 18, 2021 - january 07, 2022
NEWS
Antonio R. Montesinos participate in Getxoarte, Salon de Prácticas Contemporáneas, 2015.november 06, 2015
Antonio R. Montesinos. The Conversation. Hangar, Barcelona
december 09, 2015
Antonio R. Montesinos. Scarpia 2002-2015. Hospital Real. Granada
december 04, 2015
Next exhibition of Antonio R. Montesinos at Espacio Iniciarte. Málaga
february 04, 2016
Antonio R. Montesinos. Ciclo de talleres "La ciudad demudada"
february 11, 2016
Antonio R. Montesinos in Hangar
july 29, 2016
september 09, 2016
Antonio R. Montesinos Solo exhibition at SCAN PROJECT ROOM, London
april 19, 2017
Antonio R. Montesinos. Participate in HOTEL X HOTEL
september 14, 2017
Antonio R. Montesinos participate in the collective Monstruos y Fósiles
november 09, 2017
Antonio R. Montesinos selected for Proyecto Kiosco 2018
november 21, 2017
may 11, 2018
Antonio R. Montesinos. En Residència
june 01, 2018
Antonio R. Montesinos EN POTENCIA
december 20, 2018
Antonio R. Montesinos in MACBA
january 17, 2019
Antonio R. Montesinos at Centro de Arte Contemporáneo Fabra y Coats.
june 30, 2019
Antonio R. Montesinos. Centre del Carme, Valencia
february 10, 2020
Antonio R. Montesinos. C3A Córdoba
january 21, 2020
Antonio R. Montesinos. Diputación de Huesca
september 13, 2019
Antonio R. Montesinos. MAC Genalguacil
august 21, 2019