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Crossing Lines, 2017
Diptych. Color photography. 187 x 125 cm c/u. Ed. 3
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Under Construction. Frame 1, 2017
Vídeo Full HD 1920 X 1080. 10 mins in loop. Variable dimensions. Ed. 5 + AP
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Under Construction. Frame 2, 2017
Video Full HD 1920 X 1080. 10 mins. in loop. Variables dimensions
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Scenario I, 2017
Color photograph. 125 x 191 cm. Ed. 3
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White Hope, 2017
Color photograph. 50 x 185. Ed. 3
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Palais des Arts et de la Culture nue, 2017
Color photograph. 54 x 80 cm. Ed. 3
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Adam, 2017
Videoinstallation. 4K vídeo. 8´30" in loop. Variable dimensions. Ed. 5 + AP
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adam, 2017
Videoinstallation. 4K video. 8´30". Variable dimensions. Edition 5 + AP
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Adam 2, 2017
Videoinstallation. 4K video. 8´30" in loop. Variable dimensions. Edition 5 + AP
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Adam 3, 2017
Videoinstallation. 4K video. 8´30" in loop. Variable dimensions. Edition 5 + AP
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Adam 4, 2017
Videoinstallation. 4K video. 8´30" in loop. Variable dimensions. Edition 5 + AP
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Crossing Lines. Under Construction, 2017
Exhibition view
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Crossing Lines. Under Construction, 2017
Exhibition view
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Crossing Lines. Under Construction, 2017
Exhibition view
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Crossing Lines. Under Construction, 2017
Exhibition view
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Crossing Lines. Under Construction, 2017
Exhibition view
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Crossing Lines. Under Construction, 2017
Exhibition view
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Crossing Lines. Under Construction, 2017
Exhibition view
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Crossing Lines. Under Construction, 2017
Exhibition view
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Crossing Lines. Under Construction, 2017
Exhibition view
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Crossing Lines. Under Construction, 2017
Exhibition view
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Juan Carlos Robles. Siesta, 2018
Color photograph on Dibond
166 x 125 cm
Ed. 3
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Gran Teatro Cervantes 1, 2022
Digital print on Dibond encapsulated with methacrylate
83 x 125 cm / 33´5 x 50 cm
Ed. 3 + 2 AP
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Exhibition view,
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Exhibition view,
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Exhibition view,
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Preludio, 2022
Videoinstallation
Vídeo 4K, audio, 16:9, 10´54". Ed. 3 + 2 AP
Paper photography background and support stand backdrop crossbar
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Preludio, 2022
Videoinstallation
Vídeo 4K, audio, 16:9, 10´54". Ed. 3 + 2 AP
Paper photography background and support stand backdrop crossbar
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Dramaturgia. Aristófanes, 2022
Dramaturgia. Aristófanes
Digital print on Dibond encapsulated with methacrylate
33´5 x 50 cm
Ed. 3 + 2 AP
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Dramaturgia. Corneille, 2022
Digital Print on Dibond encapsulated in methacrylate
33,5 x 50 cm
Ed. 3 + 2 AP
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Dramaturgia. Esquilo, 2022
Digital Print on Dibond encapsulated in methacrylate
33,5 x 50 cm
Ed. 3 + 2 AP
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Dramaturgia. Goldoni, 2022
Digital Print on Dibond encapsulated in methacrylate
33,5 x 50 cm
Ed. 3 + 2 AP
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Dramaturgia. Lope de Rueda, 2022
Digital Print on Dibond encapsulated in methacrylate
33,5 x 50 cm
Ed 3 + 2 AP
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Dramaturgia. Moliere, 2022
Digital Print on Dibond encapsulated in methacrylate
33,5 x 50 cm
Ed. 3 + 2 AP
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Dramaturgia. Schiller, 2022
Digital Print on Dibond encapsulated in methacrylate
33,5 x 50 cm
Ed. 3 + 2 AP
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Dramaturgia. Sófocles, 2022
Digital Print on Dibond encapsulated in methacrylate
33,5 x 50 cm
Ed. 3 + 2 AP
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Exhibition view,
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Dramaturgia, 2022
Polyptych
Digital print on Dibond encapsulated in methacrylate
33,5 x 50 cm c/u
Ed. de 3 + 2 PA
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Exhibition view,
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Exhibition view,
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Gran Teatro Cervantes 2, 2022
Digital Print on Dibond encapsulated in methacrylate
33,5 x 50 cm / 85 x 125 cm
Ed. 3 + 2 PA
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Gran Teatro Cervantes 3, 2022
Impresión digital sobre Dibond encapsulada en metacrilato
33,5 x 50 cm / 85 x 125 cm
Ed. 3 + 2 PA
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Exhibition view,
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Exhibition view,
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Contra-público tangerino, 2022
Videoinstallation
Full HD video, 28´45". ED. 4 + 2 AP
Photography bakcground, backdrop crossbar and and wall supports
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Contra-público tangerino, 2022
Videoinstallation
Full HD video, 28´45". Ed. 4 + 2 AP
Photography background, backdrop crossbar and wall supports
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Contra-público tangerino, 2022
Videoinstallation
Full HD video, 28´45". Ed. 4 + 2 AP
Photography background, backdrop crossbar and wall supports
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Contrapúblico tangerino, 2022
Videoinstallation
Full HD video, 28´45". Ed. 4 + 2 AP
Photography background, backdrop crossbar and wall supports
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Exhibition view,
BIOGRAPHY 
Juan Carlos Robles work´s inquirie into that possibility of being, while at the same time noting the fragility of the fulfilment of such desire, in a moment of violence, convulsion and plagued by uncertainties that affect the processes of individual and collective identification.
Part of the work of Juan Carlos Robles since the nineties is mainly concerned with making visible the conditioning factors of the formation of desire, the identity crises in a subjective sense and the visualization of the psychological landscape as a way of elaborating strategies to approach the other, in the current moment of massmediatic globalization of culture. Through photography, video, sculpture and intervention in public space, he opens a sociological, psychological, philosophical and political reflection on the antagonistic tension he perceives between the desire to belong and the fleetingness that imposes living in a contemporary crowd.
Juan Carlos Robles (Sevilla, 1962) is PhD IN Fine Arts. He lives between Berlin and Malaga where he teaches at the Faculty of Fine Arts of the University of Malaga. Since 2000 he has been working with Galería Oliva Arauna in Madrid and currently is represented by Galería Isabel Hurley.
He has exhibited among other places at the Museo Nacional Centro de Arte Reina Sofia (MNCARS) in Madrid; Sala Montcada Fundacio La Caixa, Arts Sta Mònica, Pabellon Mies van Der Rohe and MACBA in Barcelona, CAAC in Seville, CAAM in Las Palmas de Gran Canaria, Haus der kulturen der Welt and Sala del Senado KunstBank in Berlin, Royal College of Art in London, Art in General in Nueva York, as well as at the Johannesburg Biennale in South Africa, III Bienal BIACS de Sevilla, XXVII Bienal de Pontevedra, I Bienal de Canarias, VIDEOZONE V-International Video Art Biennial in Tel Aviv (Israel), Instituto Cervantes in Rome, Beijing and Tokyo; Laboratorio Arte Alameda and Museo de Arte Carrillo Gil in City of Mexico, Buenos Aires Museum of Modern Art and Casa de España in Lima. His work has been seen at several fairs: Paris Photo, MadridFoto, Arco Madrid, Artissima Turin, The Armory Show in New York, Pinta London. His work has recently been seen in Maracaibo at VII Velada de Santa Lucía, at Centro Cultural de España in Miami, Mexico City, Guatemala and Montevideo, at Galeria Oliva Arauna in Madrid, at CAS in Seville, at Pratt Manhattan Gallery in New York, at Noche en Blanco in Malaga, CAC in Malaga, as well as at the Summa International Fair in Madrid and at the Swab Barcelona Art Fair.
Work in collections, amongst other: of Banco de España; Fundacion Pilar Citoler; MACBA; CAAC; Iniciarte-Junta de Andalucía; Patio Herreriano, Valladolid; Fundacion Marcelino Botin and Museo de Bellas Artes in Santander, Caja San Fernando/Cajasol, Seville; Museum of Contemporary Art in Madrid; Ayuntamiento de Almagro, Ciudad Real; CAC in Malaga; as well as in query files: Mediateca CaixaForum, Barcelona; Centro de documentacion Priamo Lozada, Mexico; Centro Experimental de las Artes, I+CAS, Seville; CAAM, Las Palmas de Gran Canaria and Media library of the Faculty of Fine Arts of the University of Castilla-La Mancha.
EXHIBITIONS
Crossing Lines. Under Construction
november 24, 2017 - january 20, 2018
En pos del andrógino. Del hermafrodita a la mirada queer
july 06 - october 06, 2018
Todo espectador es un cobarde o un traidor
march 04 - may 06, 2022
NEWS
Juan Carlos Roblesjanuary 20, 2018
Juan Carlos Robles. El Espejp dse Hércules. Escenarios para un deseo de encuentro
march 23, 2018
Juan Carlos Robles in the collective Crónicas del mundo actual
april 12, 2018
Juan Carlos Robles. Bienal de Lanzarote
february 20, 2020
Juan Carlos Robles. C3A Córdoba
november 15, 2019
Juan Carlos Robles and Daniel Silvo at Pompidou Málaga
october 18, 2019