Fernando García Méndez

Statement / Bio

From the naivety or fascination typical of childhood awareness, he conceives his work as a moving whole in which each piece contains a unique, conceptual and imaginary map. Activate the imaginative power of each idea through the use of materials that allow you to diversify, destroy and amplify canonical interpretations. Experiment with language, color, material, process and creative action. To materialize his project, he resorts to devices and techniques that have been present in his personal life, in his childhood and adolescence, from which a playful and mutable sense of the creative act emerges: construction materials, assembly methods, graffiti or collage. . Starting from the symbol in everyday life, it outlines a non-linear, open and recognizable look, which turns the viewer into an active agent in interaction with the work.

This idea of ​​the symbol as an emblem in eternal construction emanates from an exercise of polarization of different focuses to delve into all those intermediate textures, allowing it to transcend its own reality and propose new unbelievable perspectives.